Apparently in the mid-19th century. some missionaries (inspired by revival in Wales) came to Assam to proclaim the gospel among the Garo people, a Tibeto-Burmese ethnic group considered by outsiders as bloodthirsty savages. The hills they roamed were covered with impenetrable jungle, and the climate so deadly it was considered impossible for white people to survive there. The determined missionaries visited nonetheless, and among the first converts was a Garo man named Nokseng, along with his family. The family’s faith proved contagious and many villagers began to accept Christianity. The incensed village chief summoned all the villagers. He then called the family who had first converted to renounce their faith in public, or face execution.
Moved by the Holy Spirit, Nokseng replied, “I have decided to follow Jesus. No turning back.”
Furious, the chief ordered his archers to shoot the two boys.
“Now give up your faith,” he ordered Nokseng. “You have lost both your children, and I will kill your wife next.”
“Though none go with me, still I will follow Jesus,” Nokseng replied. “No turning back.”
Further enraged, the chief ordered his archers to kill the wife, and when she was dead, he turned to Nokseng.
“If you don’t renounce Jesus, you will die, too.”
“The cross before me, the world behind me. No turning back,” Noksung reportedly declared.
The chief’s archers shot the man where he stood. The chief, deeply moved by the man’s faith, could not fathom what had just happened.
“Why should this man, his wife and two children die for a man who lived in a far-away land on another continent some 2,000 years ago?” he wondered. “There must be some supernatural power behind the family … and I too want that supernatural power!”
In a spontaneous confession of faith, he declared, “I too belong to Jesus Christ!” When the crowd heard this from the mouth of their chief, the whole village accepted Christ as their Lord and Savior.
While how exactly those words were formed into a hymn can’t be known for certain, the two most credible stories credit either Simon Marak or Sundar Singh. Simon Marak, a Garo pastor, schoolteacher, and missionary from Assam is probably the most likely composer. Yet some credit the renowned Indian missionary Sundar Singh, formerly Sikh, who, combining the lifestyle of an ascetic ‘holy man’ with the devotion of a Christian visionary, became for many a symbol of authentically Indian Christianity
“What was it about Sundar Singh that inspired many Indian and European Christians? Like Paul, he claimed that his conversion came through a vision of Christ and that he traveled to the ‘third heaven’ in ecstasy. Like [St.] Francis, he imitated Christ's life of poverty, wandering, and preaching. And like Christ himself, he taught in parables and suffered persecution.
“Yet in the Indian context that shaped Sundar Singh's Christianity, all these aspects of exemplary Christian religious life had strong parallels in Indian traditions. The sadhu or ‘holy man’ renounces worldly life in seeking ultimate salvation’. In this way, Sundar Singh sought to demonstrate that Christian faith and Indian religious culture had much more in common than the Christianity brought by foreign missionaries seemed to allow. Indian Christians understood and appreciated this, ….”
[from Christianity Today’s comprehensive piece on Sundar Singh, which you can read here: Wanderer for Christ]
American hymn editor William Jensen Reynolds composed music to accompany the words, his arrangement becoming a regular feature of Billy Graham‘s evangelistic meetings in America and elsewhere, spreading its popularity even further and likely cementing it in the songbooks of many Christian churches.
I have decided to follow Jesus
I have decided to follow Jesus
I have decided to follow Jesus
no turning back, no turning back.
Though none go with me, I still will follow
though none go with me, I still will follow
though none go with me, I still will follow
no turning back, no turning back.
The world behind me, the cross before me
the world behind me, the cross before me,
the world behind me, the cross before me
no turning back, no turning back.